|
Paul Day (born 1967) is a British sculptor. His high-relief sculptures in terracotta, resin, and bronze have been exhibited widely in Europe and his work is known for its unusual approach to perspective.〔(【引用サイトリンク】 Battle of Britain London Monument )〕 Major works include:〔 * ''Brussels — an urban comedy'', a 25 metre long terracotta frieze in the Royal Galleries of Saint-Hubert in Brussels * The ''Battle of Britain Monument'' on the Victoria Embankment in London * ''The Meeting Place'', a 9 metre (29.53 feet) tall bronze statue in St Pancras railway station in London, surrounded by a frieze (see below). In 2008 a high-relief frieze was added to the base of the Meeting Place sculpture as part of refurbishments at St Pancras, featuring images from the history of the Tube and train: people queuing on platforms or travelling in carriages; soldiers departing for war and returning injured, and repair works following the 7 July 2005 London bombings. The work was the object of controversy when first erected, as one panel depicted a commuter falling into the path of a train driven by the Grim Reaper. However, following discussions with London and Continental Railways (LCR), this panel was replaced with another. Day studied at art schools in the UK at Colchester and Dartington, completing his training at Cheltenham in 1991. He now lives in a village near Dijon, France, with his French wife, Catherine. Their Anglo-French relationship is an explicit and repetitive reference in his works. ''The Meeting Place'', which is modelled on an embrace between Paul and Catherine, standing as a metaphor for St. Pancras's role as the terminus of the rail link between England and France.〔 Another contemporary sculptor and critic, Antony Gormley, singled out ''The Meeting Place'' statue when he condemned the current public art works across the UK, stating: ".....there is an awful lot of crap out there." ==References== 抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)』 ■ウィキペディアで「Paul Day (sculptor)」の詳細全文を読む スポンサード リンク
|